Leaf it to Baker
New Sunday Times: Kuala Lumpur — 25 July, 2004
BRAZILIAN artist Jurema Baker is so in love with our tropical jungle flora
that she's decided to stay, writes SOFIANNI SUBKI. Pictures By MAZLAN MOHAMAD.
NESTLED IN THE HILLTOPS OF UKAY HEIGHTS IN Kuala Lumpur, is an apartment cum
studio filled with artwork that celebrates the beauty of tropical flora. Palm
fronds, different parts of the coconut tree, bamboo and a variety of leaves have
been fashioned into lacquered trays, bowls, candle stands and other household
ornaments.
One would naturally assume that the creator of such pieces is Malaysian; a
nature lover who has a passion for what the local forests have to offer.
While there's no denying that the artist indeed has a fascination with what
she calls "jungle products", Jurema W. Baker is a Brazilian national of Polish
descent.
"I work with fronds of different palm species," she says. "Some are easily
flattened into trays while others have natural curves that make pretty bowls."
She's also transformed durian skin and mangosteen into striking decorative
items.
Baker, 51, first came to Kuala Lumpur in 1978 when her husband was posted
here. In her early 20s then, she worked in antique restoration, specialising in
Oriental lacquer ware and furniture.
"I would go to Malacca and buy pieces of old furniture," she says. "Once I was
done restoring them, they would be put in exhibitions."
After two years, she and her family left for a new posting in Cairo. She
returned to KL in 1982 and stayed for eight years before moving to Jakarta. In
2000, she came back with plans to settle here for good.
"Malaysia is a tropical paradise - this is where I started as an artist - and
my two daughters grew up here," she says. "So it has a special place in my
heart.
"I can't believe the progress this country has made over the years in the
economy and technology. I was flabbergasted to see the changes in KL's skyline
when I came back four years ago."
Now that she has decided to be here permanently, future projects include
experimenting with new plants and making furniture from treated leaves.
Leaf furniture? "It's a work in progress," she says. "Much of my art is
produced through trial and error."
"My aim is to work with the government," she explains. "After all, my art is
100 per cent local; they are products that Malaysians can be proud of."
She hopes to do this by conducting workshops that will allow her to pass on
her lacquering techniques to those who are interested.
Exhibitions are also in the pipeline as they will expose more Malaysians to
her art. At the moment, she is mostly known among the expatriates. However, she
does have very good Malaysian clients who often buy her pieces.
Her speciality lies in the high quality of the finishing, which makes her art
unique and durable. "It's my trademark because people clearly recognise me for
this," she says. Baker studied art at the University of London, where she did a
Master's degree in Islamic and Oriental Art.
Growing up, she lived in a house that was built on a big piece of land in the
south of Brazil. Her father, Romualdo Walendowsky, was a great nature lover and
would take little Baker for long walks.
"As he pointed out the different trees and flowers, he would marvel at their
beauty," she recalls. "He taught that there is beauty in everything that is
alive."
It comes as no surprise that Baker herself has a deep appreciation for nature,
especially trees. "Whenever I am driving around KL, I am always looking up at
the trees," she says with a laugh. "One of these days, I am going to get into
trouble."
One of her daughters, Melanie, recently moved to KL to help market Baker's
works.
As an artist, she has no fixed daily routine. She is one of the lucky few who
does what she feels like doing. There are times when she works non-stop for up
to four days at a stretch and at times, does absolutely nothing.
"There are periods when I dedicate all my energy to experimenting with a new
leaf or something and just neglect everything else," she says.
Nature, of course, is her source of inspiration. "I love nature and as my
background is in Oriental art, it's only logical that my work reflects that
combination.
"Malaysia has been good to me," she says. "People here are hospitable and so
supportive of my work. I'm home - I have not a single reason to leave," she says
contentedly.
For more information, please log on to www.juremacreations.com |